For Alexander Wild (Wild & Petsch Lapidaries, Kirschweiler, Germany), the show was a place to write invoices and do “serious selling.” While many clients were not shopping for any one particular gem, they were seeking out unique items: fine-quality gems as single pieces, matched pairs, sets, or suites. Exhibitors selling everything from cultured pearls to unheated tanzanite, Australian chrysoprase, and top-quality ruby, sapphire, and emerald echoed the same sentiment: fine goods were strong sellers.
Wild attributed the current shortage of gem rough to the global economic crisis that began in September 2008. The following years, he recalled, were “disastrous” for many in the colored gem trade, as their customers simply stopped buying. The resulting lack of liquidity cascaded down to active mining operations, especially in Africa and Brazil. Miners in those areas were left with no clients for their previously mined goods, and no income with which to purchase equipment or staples such as diesel fuel. Within a short time, Wild said, many operations were saddled with debt and subsequently ceased operations. Mine workers returned to the agricultural sector, which began to rebound in 2009. By then, costs had become so prohibitive that many former operators could no longer afford to return to the mining industry.
Hans Juergen Althoefer Emil Kreis & Co.Play
Many dealers also emphasized the importance of “recirculated” gems or jewelry pieces, remarking on the high quality of pieces in the secondary market. These included fine sapphire, ruby, alexandrite, and cat’s-eye chrysoberyl, gems that were otherwise unobtainable. All find a ready market in Asia.
Regardless of these powerful undercurrents, most of the exhibitors who spoke with us expressed satisfaction with their results from Tucson. Although traffic at some shows was down from previous years, exhibitors reported that buyers were serious and business was satisfyingly brisk.
All in all, the Tucson gem and mineral shows are a fascinating cross section of materials, sellers, and buyers that provides a unique window into a singular industry. We eagerly look forward to next year’s shows.
G&G appreciates the assistance of the many friends who shared material and information with us this year, with special thanks to the American Gem Trade Association for providing photography studio space during the AGTA show. GIA’s Eric Welch, Pedro Padua, Clara Zink, and Andy Lucas contributed to this report.