Students Eager to Learn New Jewellery Design and Technology Techniques


Placeholder Alt Text
Students Amanda Street, background, and Tyler Abe, use dual screens to simultaneously perform CAD rendering (left) and modelling (right).
It can be challenging to learn to design in three dimensions when you’ve only previously worked in two, but that’s exactly what students on the computer-aided design and computer-aided manufacturing (CAD/CAM) component of GIA’s newly updated Jewellery Design & Technology (JDT) course do.
 
“It’s trying to work out how to retrain your brain to think in three dimensions,” said Hannah Becker, who started the course a month ago and has experience working in two dimensions as a photography and art history student at college. “We learn the basics—like making a square into a cube—and as we learn different tools and how they move, it’s been really intriguing to wrap your brain around.”
 
“There’s a lot of problem solving, so it does seem like a game sometimes. When I look at a form, I think ‘how would I create this shape, what type of movement would I have to envision to make this into an object.’ It’s sort of like a fun puzzle to solve for me,” she said.
 
Becker, who graduated from Bard College in Annandale-on-Hudson, New York with a degree in art history, wrote her thesis on glitter in contemporary art and was looking for a medium to channel her passion for sparkly things into a tangible career. She discovered the “concept of connoisseurship within the field of sparkly things” when she helped her brother shop for an engagement ring and learned about GIA.
 
She said she is enjoying the work in the JDT class because she is using both sides of her brain. “It’s like maths, there is a right and a wrong answer, but we also have the creativity of it being design,” she said.
 
And that is the point of the six-month JDT course, said Mark Mann, GIA’s director of Global Jewellery Manufacturing Arts. Students learn all of the hands-on, practical tools they need to know to bring their artistic visions to life.
 
“The course does not only offer CAD modelling techniques; they’re also learning jewellery design, engineering and manufacturing essentials. This jewellery manufacturing overview will assist them in successfully building functional products,” he said.
 
The redesigned jewellery arts classrooms in Carlsbad are outfitted with high-tech manufacturing and learning tools for efficient, visual and interactive education geared to today’s jewellery industry, he said.
 
“By incorporating the latest technologies, like rapid prototyping of designs using wax mills and 3-D printers, we prepare students for how the industry works today, which saves future employers time and money,” Mann said. “Graduates will enter the jewellery industry with up-to-date skills and unsurpassed learning experience.”
  Digital Wax 028 Rapid Prototype machine demonstration
Instructor Michael Magee, left, teaches students how to use the Digital Wax 028 Rapid Prototype machine. Students, from left:Tyler Abe, Amanda Street and Hannah Becker.
This includes the latest adult learning techniques that incorporate project-based, self-directed, experiential and action-orientated learning criteria. With these learning features in mind, each lesson includes a mix of tutorials on CAD design and modelling techniques, small group assignments, related development of personal design idea guidance and as footage from actual production facilities making products. Instructors lead them through the lessons and provide one-to-one help when needed.
 
“We vary the content to keep it more interesting, but it’s all related,” Mann said. The lessons build upon one another and include mandatory and practice homework. Students need to keep up when developing their skills, or they will fall behind, he said.
 
Tyler Abe, a former engineering student from Seattle, said that the video tutorials are easier to follow than the print-based ones that he used in his engineering courses.
 
“I took a CAD course for engineering and it took me about three months to learn what I probably learned in three weeks here,” he said. “Seeing how far we’ve come in one month and knowing that we have another five months to go, I have a feeling we’re going to be very proficient at this by the end of the class.”

Product spec sheets are a very important element of the class, Abe said, because that’s what the real world works with.
 
“I find it really enjoyable when they give us a spec sheet and ask us to create it,” Becker said. “They talk about CAD-think — training your brain so that when you see an object, you break it down into the steps: what is the start and what is the finish and at what point in the process you should be focusing on specific details.”
 
Amanda Street, from Fallbrook, California was searching for a career that would give her an opportunity to fulfil her art and design aspirations when she decided to attend GIA. The CAD/CAM lessons are fun because they are “like playing a video game”, she said, but “they are really preparing us” to work in the real world.
 
Becker couldn’t agree more.
 
“I feel confident that when I go out to get a job, I will be really competent and proficient at doing things in a work-type environment,” Becker said. “It makes me feel that I will be able to create something when someone asks me to, and I won’t have to worry about it being wrong. I’d like to know that if I’m asked to make something that will be cast in platinum that I’m not going to mess it up.”
 
The next JDT course will be offered on 26 Sept. in Carlsbad and there are plans to make this programme available at the Institute’s New York campus in 2014. Students can apply now.

Student views prototype model of a ring
Instructor Steve Roehl, right, reviews a prototype model of a ring with student Scott Sokolowski.