Optical Effects of Phenomenal Cabochons

Sharon Bohannon
November 10, 2016
Three pieces of labradorite with yellow, blue and green flashes of color.
Spectrolite, the trade name for labradorite from Finland, exhibits the phenomenon labradorescence − a broad flash of color across the surface caused by the internal structure of the stone. Similar to flashes of color in the Northern Lights, the blue and green hues in this spectrolite are fantastic. Left: labradorite from Madagascar. Center and right: spectrolite from Finland. Courtesy of Black Star Trading Company, Flagstaff, Arizona. Photo by Robert Weldon/GIA

The definition of a phenomenon as “an object or aspect known through the senses,” according to Webster’s dictionary, might explain why some gemstones are called phenomenal. Or it could be because these gems are “exceptional, unusual or abnormal.”

In reality, however, it is how the structure, inclusions and properties of these gemstones interact with light to return an unusual visual effect, or phenomenon, in the parlance of gemology, that make them phenomenal.

Regardless, we experience these gemstones as fascinating and recognize that they are, in fact, extraordinary.

This Australian black opal oval cabochon has blue, red, yellow, orange and green colors.
There are several varieties of opal: black, white, crystal, jelly, boulder and boulder matrix, to name a few. Opals can be found in Queensland, New South Wales and South Australia. This black opal cabochon has excellent play-of-color, brightness and pattern. Courtesy of Lightning Ridge Opal, Glendora, California. Photo by Robert Weldon/GIA

Phenomena Caused by Structure

Opal, labradorite and moonstone form in microscopic layers of material that are successively stacked upon each other, giving rise to phenomena based on these unique structures. When light interacts with the different structures of gem material it causes flashes of color.

Let’s see how their different structures interact with light properties.

Opal is made up of millions of tiny silica spheres stacked in layers and held together by a mixture of slightly different silica and water. When light interacts with the silica spheres, a diffraction of light causes flashes of spectral colors. These colors depend on the size of the silica spheres. Smaller spheres produce blue to green spectral colors and larger spheres produce red. This phenomenon is called play-of-color.

Labradorite is formed by alternating layers of two feldspars that have different chemical compositions. When light interacts with labradorite, the diffraction of light causes the phenomenon known as labradorescence. The perceived colors are dependent on the thickness of the alternating layers and their refractive indices.

Moonstone is composed of two different types of feldspars that vary in thickness and regularity. In moonstone, the light is scattered in many directions giving it the characteristic cloudy bluish-white light, known as adularescence.

Iridescence happens when light passes through a thin, transparent film that has a different refractive index from the surrounding material. The color patterns in soap bubbles or on a thin film of oil on water are examples of iridescence. Pearl nacre and mother-of-pearl can have just the right structure to display iridescent optical effects. Orient is a special term used to describe pearl iridescence.

This chrysoberyl ring features a very fine cat’s-eye, which visually divides the cabochon in half and reflects a light and dark color called “milk and honey.” These attributes make the cat’s-eye chrysoberyl a collector gemstone. Courtesy Richard Krementz Gemstones. Photo by Robert Weldon/GIA

Phenomena Caused by Inclusions

A star or cat’s eye is the type of phenomena caused by inclusions of tiny bands of parallel needles or hollow tubes. When the bands of needles or hollow tubes are parallel, it’s called chatoyancy or cat’s eye. When they cross, a star is formed, called asterism. For best results in star and cat’s eye material, the base of the cabochon should be cut parallel to the inclusions to produce an even effect across the dome of the cabochon. Many gemstones possess the phenomena of chatoyancy and asterism: chrysoberyl, ruby, sapphire, spinel, garnet, tourmaline, diopside and quartz are examples.

Aventurescence is a type of phenomena caused by light reflecting from small, eye-visible, plate-like inclusions of copper or sometimes hematite inclusions in sunstone feldspar. (In sunstone feldspar the aventurescence is also known in the trade as schiller). In aventurine quartz, spangles of green mica produce the glittery effect and may also give the gem its perceived body color.

This blue sapphire displays a six-star asterism.
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Phenomena Caused by Light Properties

Color change is another type of phenomena that occurs most dramatically in alexandrite. Chromium causes alexandrite’s color, which accounts for a close balance between red and green, varying with the type of viewing light. The finest Russian alexandrites appear green in daylight and under fluorescent light. Under incandescent light, alexandrites appear red. This phenomenon coined the romantic phrase “emerald by day, ruby by night.” Although alexandrite, named after the Russian tsar Alexander II, is the most valued color change gem, certain sapphire, spinel and garnet varieties can also show color change.

Why Are Some Gems Fashioned as Cabochons?

The term cabochon comes from the French word “caboche,” meaning “head” and refers to a gemstone that has been shaped and polished as opposed to faceted. It is also common to carve softer stones as cabochons since minute scratches show much less on a cabochon than on a faceted stone.

Light properties and opacity − the ability of light to pass through the gem, are the main factors that come into play when deciding how to cut a gemstone. If a gemstone is opaque it is usually fashioned as a cabochon. Stones with asterism and chatoyancy are cut as domed cabochons to best portray the fine, needle-like inclusions that produce these two phenomena, which would otherwise not be visible in a faceted cut.

The final decision ultimately falls on the lapidary artist or the client’s preference, but they are often fashioned into cabochons to show them off to their best − phenomenal − advantage.

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